I, Wood

Brisk march down the subway platform
One pulled-back panel of green tile revealing century-old rusty bits,
And one old wooden shim, woodgrain visible under underground grime

Of a sudden, in that glimpse, I’m thrown into its

Tiny beginnings,
Quiet whispers of time,
Years of baked pine-needle-and-soil smell
slowly passing like one perfect summer afternoon;
The boots
The sawmill scream
The sawdust air
The truck
The worker
The saw
The mallet
The muffled roar of time

The glance of a woman who thinks she knows where she’s going.

Passenging on a country drive

Why
Does the eye
Seek out beyond the blue of the sky
a piddly bit of water blue?

Hey, I just saw the lake!

There’s no shortage of blue, trust me.
So why one blue and not the other?
Sky and water, mother and daughter,
use sunlight to display their bluey hues.

Sky absorbs and becomes the light.
Water reflects – it’s having none of it;
sunglasses in place
upon a stony face –
“You think you know me? You don’t know me.”

Hey, lake!

Field frost

Long-necked
shadow of the pine
stretching ‘cross the frosted
stubble of the field;
elegant, tender,
as the sun burns away
last night’s
lacey
blanket.

But the pine,
lingering,
clinging to that tattered blanket,
whispers to the stubbled field
– just five
more
minutes.

Moira Dunphy May, 2016

New

New breath
New start
New oath
New new

December twenty-first to
June twenty-first to
December twenty-first
This is planet time

The earth is fickle
It yearns for light;
Sweet light
Burn-the-eyes-through-closed-lids light
It strains towards

Either we are creeping towards
The longest night of the year
Or crawling to the longest day
Either we gratefully succumb to more and more dark
Or we demand more and more light
Either anticipate the dark all light long
Or crave the light all dark long
Oh, impetuous we.

Moira Dunphy January 1, 2016

That moment

I quaver I haver
I stand stock still
I lie I lay
I still stock-stand

Time out
eyes closed
my mouth runs dry
dry run
dry eye
my feet meet land

There’s safety in numbness

then tick –
then click –
all it takes is a nudge
and now the safety’s off.

Exit pursued by a bear

Have you seen this woman?

 

Have you seen this woman?
Approach with caution
May become awkwardly jokey

Wanted for being
naive and suspicious
cynical and oblivious

May appear brighter in the rear-view mirror

Have you seen this woman?
Has been known to flee reality

Can be found attempting to make eye contact with buskers
Do not encourage her –
as it is she hum-sings the whole damn day

And she’s buy-ee-ing
a stay-yer-way
to hea-ven.

I see me

I see me
Look-look-looking
At live life-living.
Oh, aye, I eye
The pow!
The zing!
The living-life thing.
I cheer!
I burst!
They come in first.

But still I’m still
I sit I lay I lie
My one guilty pleasure
My wasted leisure.

That, and swearing like a sailor.

 

Spring skipping rhyme

Spirea, lilac
Forsythia and chestnut

Pansy, geranium, coleus
Lambs’ ears, allum, euonymous

Flax phlox cress and sedum
Cosmos, bidens, sweet alyssum

Snapdragon, bee balm, hens-and-chicks,
Columbine, portulaca, garden pinks

Black-eyed Susan, Hollyhock

Creeping Jenny and Johnny Jump-up

Rudbeckia, lobelia, nicotania
Dianthus, obedient, impatiens:
vini vidi Vinca

Rewritten in my head every spring. Every spring of my life.